The Great Project’s Serendipities
He walked for most of a day. The city had changed since he'd last come into it, in ways the radio had not prepared him for.
On East Eleventh, the brick wall of the Victory Grill was covered floor to roofline in trumpet vine and passionflower, and a hand-painted sign said BLUES TUESDAY, with the date, as though that had never stopped. A man on a stepladder was tying back a runner that had crept over a window. Eli stood and listened to someone inside running scales on a guitar, and the vines took the edge off the sound of the street, so that the scales seemed to come from farther away than they did.
People called it the Great Project, half joking and half not. Nobody he met could say exactly when it had started. A woman selling tamales from a cart near the Mexic-Arte told him the museum's walls had gone green the summer the power went down for three weeks, and that the building had stayed cool enough inside that the old people from her block had slept there on cots, under the paintings.
"They had the electric bill framed in the lobby for a while," she said. "Zero dollars. People came to look at it like it was art."
He bought two tamales and ate them walking.
At the State Cemetery he stopped at the fence. The old limestone wall had been planted along its whole length, and among the headstones the grass had been let go to bluestem and Indian blanket. A doe was standing in it, up to her shoulders in flowers, chewing, regarding him. Behind her the names of governors and their wives went on being carved and weathered, and nobody, it seemed, had thought to mind.
Somewhere down the block, through an open window, Bathroom Plants' "New Unity Dawning" was playing on somebody's speaker, a little too loud.
Eli’s steps felt lighter as he journeyed towards Central.
He didn't know if the city had become better or only more alive. He thought, maybe, at his age, that was the same thing. He walked on, toward the confluence, the bird log heavy in his bag, each page a little world he was carrying in to be counted.
🚮 W.A.S.T.E.: Words Assisting Sustainable Transformation & Ecology
| Term | Definition |
|---|---|
| Ambrosia trifida | Ambrosia trifidaGiant ragweed. By late summer it is taller than you, and the whole city sneezes in its direction. The Botanical Gardens keep a patch by the gate, with a label. |
| Beekeepers | BeekeepersThey came up from the south with a soft net made of nanobots patterned on bees, each one dumb as a stone, together a mind. They tend the hum the way others tend hives, and they have stopped calling the bots tools. |
| Bryce | BryceHe is in most of these, and not always the same one. At Lady Bird Lake he holds a folded paper like a hymn book. By the creek he carries a paper bag of spent tea leaves, and calls himself a lowercase artist. |
| Crucible Moment | Crucible MomentThe instant when the story, the structure and the self all give way at once and you have to pick one to carry out. Nobody picks well. People pick fast. |
| Dataheat | DataheatThe warmth coming off anything that is thinking: a server rack, a phone on a charger, a laptop on the bus seat after someone has gone. Your palm takes it for a pulse. It is not a pulse, and you check anyway. |
| Dawn | DawnThe boardwalk at first light. A woman has already ridden the lake once, and three older versions of her are waiting there to tell her she did well. |
| Future Austin | Future AustinAustin, a few decades on: the same creek, the same bridge at dusk, a few more vines than the zoning allows. Everything here happens to people who are trying, and are not always right. |
| Glassrain | GlassrainThe chill that follows when a hologram’s light goes through fog: cold on the teeth, then a taste like a coin from childhood. It is gone before you can ask what it was. |
| Lantana | LantanaOrange and yellow flowers on a stalk that does not mind July. Butterflies find it before the gardener does. The Gardens grow it anyway and label the berries. |
| Legacy Fault | Legacy FaultA crack poured into the foundation on purpose, to open when history needs it to. In Underneath the Neon the asphalt splits into a spiderweb of light. |
| Live Action Role Playing (LARP) | Live Action Role Playing (LARP)A story you can stand inside. The Jejune Institute did it on the streets of San Francisco for three years; here it is done with a planter that has a number. The costume is optional. |
| Neon Spores | Neon SporesA flyer from 1983: bands nobody has heard of, Octavia Butler listed as keynote, a coffee ring on the edge. Either a festival that happened or an infection that spreads like pollen. The archive does not say which. |
| Organic Media and Fiction | Organic Media and FictionStories and songs made to be copied by hand, repaired, and let go. Each one is tied to a planter, a wall or a bench somewhere in the city. |
| Paper Lantern Weather | Paper Lantern WeatherThe weather on the nights the paper lanterns go up: light hanging in fragile things, swaying between celebration and remembrance. A woman under the Congress Bridge carries one made of grocery paper and inked wishes, and waits for a footpath that only opens when enough people need it. |
| Ruellia simplex | Ruellia simplexMexican petunia. Purple trumpet flowers that open in the morning and are gone by dark, replaced the next day by new ones. It spreads wherever there is water, and in Florida it is a problem. Here it is allowed one bed. |
| Sync Vein | Sync VeinThe current that locks a heartbeat to a foundation. It rises through the crack, alive, and keeps your time. Stand still and your chest agrees. |