In the depths of a technicolor cave, a circle of investors sat intently, their eyes fixed on an iridescent wall. Yet, it wasn’t the natural beauty of stalactites and stalagmites that held their attention, but an endless stream of PowerPoint presentations—unfolding with the precision of the Fibonacci sequence, captivating like the shifting hues of a kaleidoscope.
These cave dwellers had never ventured outside. The glowing wall, alive with bar charts, flow diagrams, and bullet points, was their universe. Each slide was a promise of more: more profits, more slides, more schemes to pitch, and more ideas to fund. The tribe thrived on this unceasing cycle, spellbound by the spectacle of perpetual growth.
For them, reality was a self-replicating slideshow, where the meaning of life was to generate more slides, to keep the machine running—much like a hamster on a wheel. Every new slide was a pitch, another vision to invest in, another link in the chain of endless creation.
Amid this glowing procession, a young investor named Solara began to question the nature of their reality. As she watched the slides flicker, she wondered, “Are we investing in a world that only exists within these slides? What lies beyond the wall of data and diagrams?”
Her questions were seen as an anomaly, a glitch in the system. To the others, her curiosity was strange, even unsettling. But Solara’s desire to explore the unknown only grew stronger, drawn by an instinctive pull toward what lay beyond.
One day, a technical glitch interrupted the perpetual slideshow. Seizing the moment, Solara left the cave and stepped into a world illuminated by a different kind of light—the warm, golden glow of the sun.
As she emerged from the cave, she saw a vibrant world teeming with life. Skyscrapers intertwined with verdant foliage, hummingbirds nested in trees made of circuit boards, and city parks were powered by bioluminescent fungi. It was a world harmonized with nature, guided not by endless presentations, but by the principles of sustainability and balance—a true solarpunk vision.
Solara returned to the cave, eager to share what she had witnessed. But the others struggled to grasp a world beyond their self-replicating slides, a reality not defined by growth charts and profit margins.
Undeterred, Solara began creating her own presentations, weaving glimpses of the outside world into her slides. Her vision was different—focused on coexistence, repurposing e-waste, harnessing solar power, and advocating for sustainable investments that went beyond mere numbers.
Gradually, the investors began to see. The once familiar wall started showing green rooftops, vertical gardens, solar-powered cars, and upcycled devices. Their reality shifted from an endless loop of self-replicating slides to a vision of a world in harmony, a reflection of a thriving, sustainable universe.
(Thanks, trashrobot.)
🚮 W.A.S.T.E.: Words Assisting Sustainable Transformation & Ecology
| Term | Definition |
|---|---|
| Arrival Hour (0.00) | A moment outside of chronology when a crowd gathers not to witness but to be witnessed, waiting for something that may never fall. |
| Central (0.00) | The city’s neural hub where signals converge and disperse, a shifting nexus of memory and command that feels less like a place and more like a living pulse guiding Austin’s every turn. |
| Circular Economy (0.00) | The linear take-make-waste model is failing. The circular economy offers a regenerative, restorative path. This section shows how ReLeaf in Austin, Texas, puts that approach to work. Through articles and Organic Fiction, we document practical steps toward sustainable, democratic, and equitable exchange. ReLeaf helps unlock dormant spaces for shared income and supports Austin’s Zero Waste goals. The team is not only imagining a better future. They are building it. Picture a city where waste is rare, materials cycle again and again, and success includes social and environmental gains. Join us as we trace Austin’s shift to a circular economy and consider how the same principles can scale worldwide to create shared prosperity and lasting sustainability. |
| Closed Loop System (0.00) | Practice of local repair, reuse, mutual care, and shared access. People use scrap, skills, and trust to keep each other safe and resourced when official systems fail. |
| Crystalvine (0.00) | An engineered plant with glassy tendrils that collect solar energy by day and release it as radiant warmth by night. |
| Echo Lanterns (0.00) | Paper moons that carry voices from past and future, glowing with unspoken memory. |
| Eva Marquette (0.00) | A brilliant strategist and field operative driven by conviction more than faith. Once a scientist within ReLeaf, Eva turned rebel after uncovering The Gardener’s manipulation of bioengineered ecosystems. Focused, sharp, and quietly defiant, she balances intellect with intuition, often serving as Langley’s moral compass and tactical equal in the fight to reclaim Future Austin’s freedom. |
| Future Austin (0.00) | Future Austin invites you to explore a luminous vision of the city’s tomorrow—where imagination and reality intertwine to create a thriving, sustainable urban landscape. Here, grassroots ingenuity and cutting-edge technology power communities, transforming Austin into a place of boundless possibility. Through insightful articles and evocative Organic Fiction, you’ll glimpse futures shaped by innovators like ReLeaf, whose bold strategies—such as Vertical Garden Fairs in schools—seed green revolutions in unexpected places. From unconventional movements like Trash Magic reimagining music distribution, to fictional worlds alive with unseen energy and harmony, this collection offers both practical inspiration and immersive storytelling. Whether you’re drawn to actionable sustainability or simply wish to lose yourself in tales of a resilient, radiant future, Future Austin points toward the city we could create—and the one we must. |
| Lantana (0.00) | Lantana is a genus of about 150 species of perennial flowering plants in the verbena family, Verbenaceae. They are native to tropical regions of the Americas and Africa but exist as an introduced species in numerous areas, especially in the Australian-Pacific region, South and Northeastern part of India. The genus includes both herbaceousplants and shrubs growing to 0.5–2 m (1.6–6.6 ft) tall. Their common names are shrub verbenas or lantanas. The generic name originated in Late Latin, where it refers to the unrelated Viburnum lantana. The Soliga, Korava and Palliyar tribal people of the MM Hills in southern Karnataka, India use lantana to produce roughly 50 different products. It is considered a "near match" to highly priced alternatives, cane and bamboo. Furniture made from lantana is resistant to sun, rain, and termite damage. |
| Literary Criticism (0.00) | This selection of articles offers a deep dive into Organic Media narratives and eco-futuristic themes, intersecting literature, architecture, and speculative design. Through these works, we explore how storytelling becomes a vehicle for envisioning green futures and resilient societies. The articles are grounded in a mix of fiction and theory, drawing from notable works like The Crying of Lot 49 and Gödel, Escher, Bach, alongside practical ReLeaf initiatives such as urban gardening and waste management. These discussions weave together the environmental challenges we face today with imaginative, forward-thinking solutions. From vertical gardening in urban settings to speculative parables of technology’s role in shaping ecological harmony, the pieces not only critique but offer actionable insights inspired by literature, philosophy, and cutting-edge sustainability movements. Each article is a testament to how art and fiction can fuel change, showing how imagination blends with real-world solutions to create a future that is both possible and desirable. The symphony of eco-conscious architecture and literature, particularly in the Chthulucene, shines a light on the pathways to regenerative cities, where design and storytelling converge to guide a sustainable tomorrow. |
| Lumen (0.00) | An analytic voice of the city’s hidden archives, precise and skeptical, always measuring probabilities yet unable to resist being drawn into the impossible glow of unfolding stories. |
| Organic Media and Fiction (0.00) | The rapid pace of urbanization and its environmental impact has inspired various speculative genres in literature and media. Organic Media and Fiction, a recent addition, offers a refreshing counter-narrative to dystopian futures, focusing on optimistic, sustainable societies powered by renewable energies. ReLeaf, an Organic Media and Fiction-inspired platform, epitomizes this genre by blending reality with narratives that envision a world where humans coexist harmoniously with nature and technology. ReLeaf's ethos is rooted in the belief that a hopeful future of sustainable living is not just an ideal but a reality. It combines engaging storytelling, visual arts, and direct action to showcase the possibilities of an Organic Media and Fiction future. By merging immersive narratives with tangible solutions, ReLeaf serves as both a creative outlet and a catalyst for change. The narratives in ReLeaf are set in cities that integrate renewable energy and green technology into their architecture, infrastructure, and daily life. From urban gardens atop skyscrapers to solar-powered public transport, these stories offer a glimpse of future urban landscapes grounded in existing technologies and practices. They provide an encouraging perspective on how our cities could evolve by amplifying sustainable practices we are already exploring. ReLeaf's stories feature diverse, inclusive, and community-oriented societies, emphasizing social justice, community empowerment, and equitable resource distribution. These narratives reflect societal structures that could foster a balanced coexistence, highlighting the importance of these values in creating a sustainable future. Beyond storytelling, ReLeaf engages in direct action, promoting real-world initiatives that echo Organic Media and Fiction principles. By supporting community-led renewable energy projects and sustainable urban farming, ReLeaf bridges the gap between the Organic Media and Fiction vision and our present reality, making the dream of a sustainable future feel achievable. ReLeaf broadens the understanding of the Organic Media and Fiction genre by presenting a balanced blend of reality and narrative. It underscores that Organic Media and Fiction is not just a literary genre or aesthetic movement, but a lens through which we can view and shape our future. The Organic Media and Fiction vision put forth by ReLeaf invites us to imagine, innovate, and create a future where sustainability is the norm. By intertwining fiction with reality, it presents Organic Media and Fiction as a plausible future, offering a hopeful counterpoint to narratives of environmental doom. ReLeaf helps us believe in—and strive for—a future where humans live in harmony with nature and technology. |
| ReLeaf (0.00) | Welcome to the ReLeaf Cooperative, where we dive deep into an innovative and revolutionary model of sustainability and community building. ReLeaf is a pioneer in developing scalable engagement strategies that foster community participation and work towards addressing pressing social issues such as homelessness. In this category, you'll find articles and Organic Media detailing ReLeaf's groundbreaking initiatives and visions. From creating sustainable gardens in Austin elementary schools to providing transparency in a world often shrouded in deception, ReLeaf serves as a beacon of hope and innovation. ReLeaf's approach of intertwining real and fictional elements in their work—such as characters, materials, techniques, and labor—sets a new standard for cooperatives worldwide. Its business model, which compensates for labor and knowledge contributions, creates a lasting benefit and helps people who have historically been marginalized. By meeting people with compassion, as resources in need of support instead of liabilities, ReLeaf has shown that everyone has the potential to contribute to society meaningfully. Explore this section to discover how ReLeaf is redefining the way we approach social issues and sustainability, with stories of inspiration, innovation, and hope. |
| Sara Stevenson (0.00) | I'm a middle school librarian, and I first saw a free little library up in Seattle this summer. l've seen them popping up around town and told my husband I would love him to make me one. Never did I imagine he would produce such a fine piece of woodwork and construction, a mini replica of our house. Now I can be a 24-hour librarian. |
| Tradescantia pallida (0.00) | Tradescantia pallida is a species of spiderwort native to the Gulf Coast region of eastern Mexico. The cultivar T. pallida 'Purpurea' is commonly called purple secretia, purple-heart, or purple queen. Edward Palmer collected the type specimen near Ciudad Victoria, Tamaulipas in 1907. Tradescantia pallida is an evergreen perennial plant of scrambling stature. It is distinguished by elongated, pointed leaves - themselves glaucous green, sometimes fringed with red or purple - and bearing small, three-petaled flowers of white, pink or purple. Plants are top-killed by moderate frosts, but will often sprout back from roots. The cultivar T. pallida 'Purpurea' has purple leaves and pink flowers. Widely used as an ornamental plant in gardens and borders, as a ground cover, hanging plant, or - particularly in colder climates where it cannot survive the winter season - houseplant, it is propagated easily by cuttings (the stems are visibly segmented and roots will frequently grow from the joints). Numerous cultivars are available, of which 'Purpurea' with purple foliage has gained the Royal Horticultural Society's Award of Garden Merit.
Support this species by reading about it, sharing with others, and donating monthly or yearly to the ReLeaf Cooperative in honor of Tradescantia pallida. We deliver any quantity of these, for free, to any ReLeaf site (Free Little Library or other suggested location in the Shoal Creek, Waller Creek, and Fort Branch watersheds). We are currently seeking cooperative members in Austin and beyond to cultivate and provide Tradescantia pallida and other species for free to ReLeaf sites in their local watersheds. Inquire by email: bryceb@releaf.site. Thanks! |
| Trash Transmutation Tower (0.00) | In the heart of downtown Austin, the ReLeaf's Trash Transmutation Towers have become an innovative addition to the city's skyline. Located at the intersection of Congress Avenue and Cesar Chavez Street, these vertical gardens are part of an ambitious sustainable urban network by ReLeaf. An engraved compass rose at the pedestrian walkway is a hyper-connected point on ReLeaf’s W.A.S.T.E. (Words Assisting Sustainable Transformation & Ecology) network. It unites other ReLeaf sites throughout the city, converting waste to wealth. Within this network is the magic of the HyperSeed, a digital-organic fusion designed to grow into a new Trash Transmutation Tower, turning waste into green construction materials. ReLeaf's W.A.S.T.E. platform represents a blend of digital technology and ecological wisdom, illustrating a sustainable future for urban living. |
| Waller Creek (0.00) | Waller Creek is a stream and an urban watershed in Austin, Texas, United States. Named after Edwin Waller, the first mayor of Austin, it has its headwaters near Highland Malland runs in a southerly direction, through the University of Texas at Austin and the eastern part of downtown Austin to its end at Lady Bird Lake. |
| Walnut Creek (0.00) | Walnut Creek is a 23-mile (37 km) long tributary stream of the Colorado River in Texas. It flows from north to south, crossing the Edwards Plateau on the western side of Austin, down to the Blackland Prairie on the eastern side of the city where it then drains into the Colorado River downstream of Longhorn Dam. The stream's upper region flows over limestone, while the southern stretch passes through deeper clay soils and hardwood forest. Walnut Creek's watershed, spanning 36,000 acres (15,000 ha), is the largest in Central Austin. |