Underneath Central's Frequency
By midsummer the antenna was broadcasting every evening in the grackles' eleven minutes, and Diego had a desk on the third floor of Central with a radio receiver, a kettle, and a window onto the creek.
That was the summer the lightning bugs came back.
Nobody had seen many in years. Then the creek banks were rewilded, the lake was cleaner, the city turned off half its streetlights to save power, and in June they rose out of the grass along Shoal Creek in numbers people's grandparents had described and nobody had believed. They drifted up to Central's rooftop garden and blinked among the squash vines. Children came at dusk to sit on the stairs and watch them. It felt, people said, like being forgiven for something.
Then someone at a canteen meeting pointed out that they were edible.
The question went around the building the way questions did. Food was tight that year; the second planting had failed in the heat. Lightning bugs were protein, and there were millions of them. Wasn't it wasteful, a man asked, to sit and admire food? A woman from the kitchen garden said that some things were not food, even when you could eat them, and the meeting ran an hour over.
Diego listened to it continue on the radio for a week. People called in to the evening broadcast. They pinned notes to the bulletin board by the stairs, the one everyone called by its address, ///enabling.present.clocks, until the cork was layered three deep. My abuela ate chapulines and she lived to ninety-four. They came back because we stopped taking. Don't start again. Has anyone asked the kids?
He didn't have an answer. He had a list of the people who had written, and he noticed that nobody who had actually sat on the stairs at dusk had argued for the eating.
One night, near the end of the broadcast, he turned the receiver down and listened to the room instead. Someone in the canteen below was playing nikodimov's "weeds," the low synth line looping under the noise of dishes. On the roof the grackles were settling. Out past the glass, over the dark creek, the lightning bugs rose and fell like breath.
The grackles had opinions about the antenna, and the antenna had begun to listen.
He wrote that sentence down without knowing why. Later he would think it was the first true thing he understood about the building: that it was not only sending. It was taking something in.
🚮 W.A.S.T.E.: Words Assisting Sustainable Transformation & Ecology
| Term | Definition |
|---|---|
| Ancestral Signal | Ancestral SignalA pulse older than electricity. A film of bacteria from Walnut Creek, between two copper plates, rose once for eleven minutes at the exact time the antenna at Central went on the air. Ana wrote under the readings: It is listening for something. |
| Anemone | AnemoneA writer at Vintage. She touched a railing without noticing, and the iron warmed. She tends to hear the question under a story before the story is finished. |
| Bandwidth Bloom | Bandwidth BloomThe night every light in the city blinked: not out, not off, aligned. It starts as a hum against the jawbone, and the fireflies might be tuning forks. |
| Central | CentralIt sits where Shoal Creek meets Lady Bird Lake, and the long glass prow catches the light off both at once. On the roof there is an antenna the grackles have claimed. Most people still call it the library. |
| Chestnut Book Nook | Chestnut Book NookA Little Free Library on a quiet street, set under a streetlight so you can take a book home after dark. |
| Crystalvine | CrystalvineA plant with glass tendrils that drinks the sun all day and lets it go as warmth after dark. You can read by one if you are patient, and warm your hands if you are not. |
| Ego Eclipse | Ego EclipseThe half second when shame or awe wipes the room out of your head. The mouth keeps opening and closing. For a moment there is no one left to be embarrassed. |
| Future Austin | Future AustinAustin, a few decades on: the same creek, the same bridge at dusk, a few more vines than the zoning allows. Everything here happens to people who are trying, and are not always right. |
| Lake Exhale | Lake ExhaleThe breath you can see coming off Lady Bird Lake on a cold morning. It does not ask what you did. It lets some of it go. |
| Library | LibraryCentral’s oldest name, and the one people still use. The building at the confluence where the city keeps what it decided it could not do without. A black cat sleeps on the sill above the returns slot. |
| Lumen | LumenThe voice in the archives that counts. It gives you the odds first, then the odds with the error bars, and then, quietly, asks whether you saw that too. |
| Magnetic Aviary | Magnetic AviaryWhat grief, love and magnetism have in common: they are invisible until something takes off. Then the whole flock turns at once, and you are the only one in the street who knows what it spelled. |
| MoPac Mantra | MoPac MantraThe low rumble of the MoPac, a railroad before it was a road, heard as a chant by anyone who stands still at the edge of the Intake. It threads time through the body and asks for nothing. |
| Narcimirror | NarcimirrorA vine that hands your reflection back one notch kinder than you are. Hold still and it corrects you until you look better than you feel. Enough, you say, and the word comes out as a tag. |
| Organic Media and Fiction | Organic Media and FictionStories and songs made to be copied by hand, repaired, and let go. Each one is tied to a planter, a wall or a bench somewhere in the city. |
| Storytelling | StorytellingPin a sentence to the board by the stairs, as a joke, and by the end of the week everyone has a theory. Telling is how the city keeps its records. |
| Surrealism | SurrealismA diner with owls for waitstaff, and a waitress who asks if you want pie or closure. Is there a difference, you ask, tasting cherry and grief. |
| Walnut Creek | Walnut CreekTwenty-three miles, over limestone and then clay, to the Colorado. Ana pulled bacteria out of its mud and grew a film the color of weak tea that makes electricity out of humid air. |