ReLeaf's Vertical Gardens Bring Back Ivory-billed Woodpecker to Austin

The practice of transforming discarded materials into new forms of value, merging creativity with sustainability.

Ambrosia trifida, the giant ragweed, is a species of flowering plant in the family Asteraceae. It is native to North America, where it is widespread in Canada, the United States, and northern Mexico.
 

Distribution

It is present in Europe and Asia as an introduced species, and it is known as a common weed in many regions. Its common names include great ragweed, Texan great ragweed, giant ragweed, tall ragweed, blood ragweed, perennial ragweed, horseweed,buffaloweed, and kinghead.

Description

This is an annual herb usually growing up to 2 m (6 ft 7 in) tall, but known to reach over 6 m (20 ft) in rich, moist soils. The tough stems have woody bases and are branching or unbranched. Most leaves are oppositely arranged. The blades are variable in shape, sometimes palmate with five lobes, and often with toothed edges. The largest can be over 25 cm (9.8 in) long by 20 cm (7.9 in) wide. They are borne on petioles several centimeters long. They are glandular and rough in texture. The species is monoecious, with plants bearing inflorescences containing both pistillate and staminate flowers. The former are clustered at the base of the spike and the latter grow at the end. The fruit is a bur a few millimeters long tipped with several tiny spines.

As a weed

This species is well known as a noxious weed, both in its native range and in areas where it is an introduced and often invasive species. It is naturalized in some areas, and it is recorded as an adventive species in others. It grows in many types of disturbed habitat, such as roadsides, and in cultivated fields. Widespread seed dispersal occurs when its spiny burs fall off the plant and are carried to new habitat by people, animals, machinery, or flowing water. The plant is destructive to native and crop plants because it easily outcompetesthem for light.

Herbicide resistant giant ragweed populations were first identified in the late 1990s. Across much of the midwestern United States, populations resistant to group 2 (ALS-inhibitors) and group 9 (glyphosate) are present, though resistant to multiple herbicide modes of action has not yet been documented. There remains concern that herbicide resistance is more widespread than documented and many states like Minnesota offer free screening of giant ragweed for herbicide resistance. For chemical control, use of group 4 (2-4D) and group 10 (glufosinate) are effective.

As an allergen

Also, interest is great in preventing the spread of this plant because its pollen is a significant human allergen. It is one of the most familiar allergenic ragweeds, and residents of different regions begin to experience allergic symptoms as the plant spreads into the area.

Uses

Native Americans had a number of uses for the plant as traditional medicine. The Cherokeeused it as a remedy for insect stings, hives, fever, and pneumonia, and the Iroquois used it to treat diarrhea.

Giant ragweed has been used successfully as a compost activator and an ingredient in sheet mulch gardens.

An elder’s staff that grows as both root and record, carrying wisdom in living wood.

The visual shimmer seen during network synchronization events. Appears like falling digital mist that leaves no trace but calms the mind.

Future Austin invites you to explore a luminous vision of the city’s tomorrow—where imagination and reality intertwine to create a thriving, sustainable urban landscape. Here, grassroots ingenuity and cutting-edge technology power communities, transforming Austin into a place of boundless possibility.

Through insightful articles and evocative Organic Fiction, you’ll glimpse futures shaped by innovators like ReLeaf, whose bold strategies—such as Vertical Garden Fairs in schools—seed green revolutions in unexpected places.

From unconventional movements like Trash Magic reimagining music distribution, to fictional worlds alive with unseen energy and harmony, this collection offers both practical inspiration and immersive storytelling.

Whether you’re drawn to actionable sustainability or simply wish to lose yourself in tales of a resilient, radiant future, Future Austin points toward the city we could create—and the one we must.

A network of modular water-cleansing icosahedra, pulsing with unseen currents, designed to weave purity back into rivers and lakes.

The felt breath of Lady Bird Lake offering quiet forgiveness that loosens the day.

Lantana is a genus of about 150 species of perennial flowering plants in the verbena family, Verbenaceae. They are native to tropical regions of the Americas and Africa but exist as an introduced species in numerous areas, especially in the Australian-Pacific region, South and Northeastern part of India. The genus includes both herbaceousplants and shrubs growing to 0.5–2 m (1.6–6.6 ft) tall. Their common names are shrub verbenas or lantanas. The generic name originated in Late Latin, where it refers to the unrelated Viburnum lantana.

The Soliga, Korava and Palliyar tribal people of the MM Hills in southern Karnataka, India use lantana to produce roughly 50 different products. It is considered a "near match" to highly priced alternatives, cane and bamboo. Furniture made from lantana is resistant to sun, rain, and termite damage.

A reflective growth habit that returns your world to you one notch prettier and therefore more persuasive.

The intertwining of brainwave modulation and horticultural growth, suggesting cognition and ecology flourishing together.

Planterns are whimsical upcycled creations—paper lanterns transformed into one-of-a-kind planters. No two are ever the same: each Plantern carries its own identity, tied to a unique ID that connects it to specific digital media such as Organic Fiction narratives, recorded music, and other creative works.

The soft glow and airy shape of its former life remain, now reimagined as a home for trailing vines, succulents, and blooms. Made from reclaimed materials, Planterns celebrate renewal—giving discarded objects a second chance and your plants a distinctive stage to grow.

Part art piece, part living sculpture, a Plantern is both physical and digital—a tangible vessel for life linked to a story, a song, or a world you can step into.

Ruellia simplex, the Mexican petunia, Mexican bluebell or Britton's wild petunia, is a species of flowering plant in the family Acanthaceae. It is a native of Mexico, the Caribbean, and South America. It has become a widespread invasive plant in Florida, where it was likely introduced as an ornamental before 1933, as well as in the eastern Mediterranean, South Asia and other parts of the eastern hemisphere.

Ruellia simplex is an evergreen perennial growing 3 ft (0.91 m) tall, forming colonies of stalks with lance-shaped leaves that are 6 to 12 in (15 to 30 cm) and .5 to .75 in (1.3 to 1.9 cm) wide. Trumpet shaped flowers are metallic blue to purple, with five petals, and 3 in (7.6 cm) wide. There is a dwarf variety that is only 1 ft (0.30 m) tall.

Ruellia simplex is native to Mexico, the West Indies, western Bolivia, southwestern Brazil, Paraguay, Uruguay, and northeastern Argentina. It has been widely used as an ornamental plant and has escaped from cultivation in the United States, Australia and parts of Asia, as well as several Pacific Islands. It has become invasive in some of these areas, forming dense, single-species stands of vegetation which threaten native plants. It is mainly a plant of wet places such as ditches, pond verges, lakesides and marshes, but can survive in drier conditions.

A mild tingling behind the eyes when people witness a verified act of generosity. Neurologists call it a mirror-empathy response; poets call it the return of faith.

Dive into our Vertical Garden section where creativity meets sustainability. This is a celebration of the innovative approach of integrating plants into urban environments in a vertical format, a testament to human resourcefulness in the face of limited space.

Here, you'll discover a vast array of ideas on how to transform would-be waste materials into sustainable, beautiful, and thriving gardens. From DIY guides on upcycling aluminum cans into modular planters, to detailed articles and SolarPunk fiction exploring the transformative power of these gardens in various settings like Austin's schools and cityscape, the Vertical Garden category provides a deep dive into a green future.

Through the articles and stories in this section, we share and explore concepts, techniques, and innovations that align with a sustainable, circular economy, which views waste as an asset rather than a problem. Whether you are looking to start your own vertical garden project or just enjoy immersing yourself in hopeful visions of a green urban future, you're in the right place.

Join us as we explore and reimagine our relationship with nature and urban space, one vertical garden at a time.

🚮 W.A.S.T.E.: Words Assisting Sustainable Transformation & Ecology

The civic temperament of soft courtesy with a hidden sting, a politeness that defends its territory.

In a world grappling with waste management crises, Waste Integration offers a novel solution. This philosophy looks beyond mere recycling or upcycling; instead, it weaves waste into the very fabric of our everyday lives in a meaningful and beautiful manner.

Explore a wealth of creative methods to turn your home and community into sustainable ecosystems, where every item has a purpose, and nothing goes to waste. From transforming scrap metal into functional art, to building modular planters out of discarded plastic, Waste Integration is a testament to human creativity and resilience in the face of environmental challenges.

With a combination of theoretical discussions, practical guides, and inspiring stories, our Waste Integration content shines a spotlight on this game-changing movement, demonstrating how each one of us can contribute to a more sustainable and circular economy.